. . . most of the comments responding to Brown on her site are commiserating with her, and saluting her bravery in exposing this nonsense——
but none are slamming his honor the Hoagland who bops in to these contests and does his ten minute stint as “judge” and then scoots off with another tick on his resume, another notch on his reputation, who doesn’t give a damn if it’s a scam, he doesn’t care if the process is fair and the press treats its poets properly, all he cares about is cashing that fee and that boost to his ego . . . Hoagland is a Po-Biz whore who will obviously sell his ass out as a “judge” at every opportunity legitimate or ill- . . .
if you’re going to condemn the presses, you must also censure the “judges” of these contests: they’re part of the scam . . . they don’t give a damn about what happens after they take their money and run . . . Hoagland is as much to blame here as Cider is.
Thanks, Greg, for the heads up on this horror story -- I've posted about it on my blog. With freezes and cuts in government arts funding, such contests are also becoming more common in Canada. The same caveat, of course, applies.
I am a writer who lives and works in West Michigan. I am a graduate of Albion College, the University of Michigan Law School, and the MFA Program for Writers at Warren Wilson College. I have published three full-length collections of poetry: Holding Down the Earth (Sky Books, 1995), A Path Between Houses (University of Wisconsin Press, 2000) which won the Brittingham Prize, and Figured Dark (University of Arkansas Press, 2007), which won the University of Arkansas Press Poetry Series. I have also published three chapbooks: Eros, Psyche and the Death of Narrative (Candle Creek Press, 2006), The Afterlight (WVU-Legal Studies Forum, 2006), and The Divisible Field ( WVU-Legal Studies Forum, 2008), and have completed a fourth manuscript, Tropical Landscape with Ten Hummingbirds. I am working on a novel. My work has received a Pushcart Prize, the Mississippi Review Prize, the Paumanok Poetry Prize, the Greensboro Review Literary Award in Poetry, and the Arts & Letters Prize. I was a Bread Loaf Fellow in 2002. When not writing, I work full-time as corporation counsel for a local government and also teach part-time in the English Department at Hope College in Holland, Michigan.
3 Comments:
That's truly a contest story from hell.
. . . most of the comments responding to Brown on her site are commiserating with her, and saluting her bravery in exposing this nonsense——
but none are slamming his honor the Hoagland who bops in to these contests and does his ten minute stint as “judge” and then scoots off with another tick on his resume, another notch on his reputation, who doesn’t give a damn if it’s a scam, he doesn’t care if the process is fair and the press treats its poets properly, all he cares about is cashing that fee and that boost to his ego . . .
Hoagland is a Po-Biz whore who will obviously sell his ass out as a “judge” at every opportunity legitimate or ill- . . .
if you’re going to condemn the presses, you must also censure the “judges” of these contests: they’re part of the scam . . . they don’t give a damn about what happens after they take their money and run . . . Hoagland is as much to blame here as Cider is.
Thanks, Greg, for the heads up on this horror story -- I've posted about it on my blog. With freezes and cuts in government arts funding, such contests are also becoming more common in Canada. The same caveat, of course, applies.
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